PRAKASH ON BANGKOK EXPERIENCE
The preparation from the producer side was very good. There was no pressure. Everything was provided to us. 40 percent of action, talkie and 4 four songs have been stored with the help of three cameras headed by Krishnakumar. The Hindi film unit headed by Abbas Mastan that had come there to shoot was surprised with our style of working. There was tremendous input from Vijaya Raghavendra. All the stunts he has done are on his own. Master Mua and his team have done hectic work.

For Vijaya Ragavendra’s action portion no support was sought. While going through the photographs of the shooting Smt.Ashwini Puneeth Rajkumar asked where are the strings used for these action portions? When we said it was not used she was astonished Prakash recollected from his memory.

It was a ‘Bombat’ work. Security provided at the time of shooting made me feel secure and take up more challenging tasks says Vijaya Raghavendra who underwent three minor accidents while shooting in Bangkok. The earlier home work done and without safety no composition of shots, the availability of bound script, discussion held on the previous night, the box shots helped us a lot in reaching our demands. Now I have slight muscle tension and there is no fracture as such. The doctor has advised rest as for as possible for me disclosed Vijay Raghavendra. We have traveled almost all the places and never repeated the already shot locations for this film. We never touched the floating market in Bangkok that is over used.

There was some problem in the beginning with the language. We hired a translator. Now the locals in Bangkok especially the car driver learnt Kannada.

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