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Torch Bearer To Film PRO’s
Nooraaru
Janagalige Oota Hakidavarannu – Producers -Karedhu Ivattu
Sudheendra avaru Oota hakiddu Yedendu Mareyalagadha
Ghatane – this was overheard at Sri Dharmasthala Manjunatha
Kalyana Mantapa – the day Suddigala Indra – Sudheendra
celebrated 700 mark as Film Press Relations Officer
on April 6 in Bangalore.
The walking
encyclopedia of Kannada cinema with a touch of humor
in his talk always Sudheendra is growing from strength
to strength not because he is holding the big banners
in his cap. He has maintained a disciplined and simpleton
approach towards his work throughout in the 25 years
of his work. We wish him Golden Jubilee and on Golden
Jubilee we would like to wish him Diamond jubilee celebration
in his work.
SADDILLADE
SUDDI MADIDHA SUDHEENDRA
Born
to Harikatha vidwan in an orthodox Madhwa Brahmin community
Sudheendra imbibed the art of talking and writing from
his father Venkoba Rao. He was one among the five brothers
and one elder sister. Sudheendra’s remaining brothers
were settled down in reputed companies but it was a
sad phase in his life when his father died before finding
the settlement of the life of Sudheendra. With ardent
love for Kannada on the one side and urge for earning
to support his family Sudheendra picked up contact with
‘Lavanya Lekhakara Balaga’ and showed his immense interest
in Kannada language. He joined the company of Srikrupa,
S.Jayasimha, B.S.Ramesh, Ashwathnarayana and others.
It
was during those days the hit Kannada film seminar was
held to facilitate others to know about the secret of
success. During one of the media gatherings and producers
Sudheendra met Mr Ankalgi from Uttar Karnataka, Hublikar,
Surendra Igale of ‘Badhuku Bangaravayithu’. This Kannada
film had run for 100 days in three theatres in Bangalore
and it was a gala event in Bangalore. Mr Ankalgi nominated
Sudheendra to derive the proceedings of the function
and dispatch it to the newspapers and magazines. This
is how the first news item written by Sudheendra came
to print. After knowing the ability and forging strength
of Sudheendra the Kannada producer Ankalgi gave the
first offer of PRO for ‘Sose Thanda Sowbhagya’ the first
cinemascope film to Sudheendra in 1977.
Thus the
days of Sudheendra in Room No.306 of Moti Mahal in the
heart of film activities became very near. Recalling
the days of 25 years ago Sudheendra says he never thought
he would reach this position. In those days I was fortunate
to see Madras and the amount of publicity ‘Sose Thanda
Sowbhagya’ got created awareness in the film industry
that something is possible if worked out in a nice and
decent way. Sudheendra could
be easily called the ‘father’ of Film PRO’s.
I cannot
forget the affection showed by film industry people.
The growth of work was sudden as the impact was good
through my work remembers Sudheendra with a smile on
his face. He named his channel he started as ‘Sri Raghavendra
Chitravani’ as he is the staunch admirer of Sri Raghavendra
Swamy.
From
Dr.Rajkumar to the present crop of artist’s films Sudheendra
worked as PRO and earned laurels. He worked in the doyen
of Kannada cinema S.R.Puttanna Kanagal films like ‘Manasa
Sarovara’ to ‘Masanada Hoovu’.
I am happy
and content with this work. The pains and pleasures
are always there in any profession. In fact this takes
a man near to perfection. I had not grown economically
strong but that is not the main ‘Koragu’. There is ample
amount of satisfaction. I have earned the esteemed position
and people all over Karnataka recognize me. I
consider even my enemies who worked strong to dislodge
my position as my friends.
I cannot
forget the journalists like M.Raman, V.N.Subba Rao,
Dr.Vijaya, C.Seetharam, M.B.Singh, M.V.Ramakrishna,
B.V.Vaikunta Raju, T.G.Ashwathnarayana, Sri Krupa and
the present crop of journalists.
It is Mr
Raman who ignited strength for me to become a PRODUCER.
As a co producer I started in to production from ‘Ganeshana
Madhuve’. The film earned massive success but others
ate the profits. Then in ‘Nagu Nagutha Nali’ the situation
was no different. ‘Gundana Madhuve’ was hassle free.
For Lahari Recording Company I have worked as production
executive. For Bakery Srinivas ‘Pattanakke Banda Putta’
there was good profit and the film was also talked much
by the industry and the media.
Chitra Ranga
and Patrika Ranga (the film and media) are my two eyes
admit Sudheendra in a nutshell. To remember the two
pivotal I am instituting an award for producer and journalist
on this silver jubilee year of my career. The award
for producer goes to Mr Ankalgi who gave me birth and
senior journalist Dr.Vijaya bags the award given to
journalist. They carry a cash prize of Rs.5000 and a
trophy.
The Awards
to his credit – Kannada Chitra Rasikara award, Kannada
Chitra Rasikara Sangha’s silver jubilee award for meritorious
service, Suddi Ratna award by Tiptur Kannada Shakthi
Kendra, honor by Akila Karnataka Brahmanana Mahasabha,
Aryabhata award, Jhenkar Melodies ‘Prachara Sarvabowma’,
Adarsha Sugama Sangeetha Academy’s Karimkhan award,
Hamsa Jyothi award, Kannada Chitra Premigala Sangha
of Doddabalapur felicitation, Bangalore mahanagara Palike
2001 ‘Kempegowda’ award, honor from Sri Raghavendra
Swami Mutt of Mantralaya as ‘Prachara Rajakamala Hamsa’,
etc.
Chitraloka.com
wishes best of luck for Sudheendra for his future endeavour.
SUDDIGE
SUDHEENDRA VICTORYGE VENKATESHA
Of
late the trusted relative of Suddi Sudheendra is Venkatesh.
Promising youngster Venkatesh had victory as a habit.
His way of approach, getting the things done, arranging
on the occasion and sometimes escaping are efficiently
done by Venkatesh the backbone of Sudheendra. With a
mobile and Kinetic Honda Venkatesh travels many kilometers
in a day on behalf of Sudheendra and effectively manages
the given work for him.
With
a little education Victory Venkatesh has proved that
academic education is not all that important in leading
a life – that too a comfortable life. Like how he is
increasing the gold ring for each of his fingers from
time to time let the clever Venkatesh earn the laurels
what his uncle Sudheendra had earned in his life.